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Actually, "wolf interval".

Pythagorean comma is the difference between enharmonic notes in Pythagorean tuning, e.g., difference between Ab and G#. Not what I was talking about.

With any 12-tone system, you might have eleven fifths which are 700-x cents wide, on average... and then a diminished sixth (rather than a fifth), which is necessarily 700+11x cents wide as a result. The "wolf interval" is the diminished sixth (commonly G# to Eb, or C# to Ab). In equal temperament, the diminished sixth is equal to a fifth. You might also call something other than a fifth a wolf interval. Basically, an interval which normally sounds good, except you chose an enharmonic version of it, which sounds bad.

"The" wolf interval is the quarter-comma meantone diminished sixth, which is 2^7 / 5^(11/4) = 1.5312. The Pythagorean wolf interval is 2^7 / (3/2)^11 = 1.4798. It's equal to a perfect fifth, minus the Pythagorean comma.



I see. I was confused because string players talk a lot about our wolf notes/wolf tones (especially violists and cellists), but I hadn't come across the term wolf interval.


That's because these tuning systems have been out of favor since about 1700. You might encounter some organists who know about it, but even then, there are only a handful of organs tuned this way in North America.

https://en.wikipedia.org/wiki/Meantone_organs_in_North_Ameri...

It was Werckmeister who popularized and advocated systems which don't have wolf intervals (so-called "well temperament", as in "Bach's well-tempered clavier". The composers who cared about wolf intervals generally predate Bach, to give you an idea.

Nowadays (since the 1980s) I can press a button and put my synthesizer or electronic piano in whatever tuning I want, so I can play with quarter-comma meantone temperament without finding one of the organs on the list, and experience it myself.




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